Ed Bereal | Studio Studies - Survey of Drawings 1958 - 2020 | Viewing Room
Untitled (Self Portrait) EB-19, 1958-1965
graphite on paper
11 x 9" paper
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The Elizabeth Leach Gallery is pleased to present Ed Bereal: Studio Studies - Survey of Drawings 1958 - 2020, featuring small and large scale drawings and collage created over six decades. The show highlights Bereal’s works on paper from early figurative and abstract artworks to recent drawings that focus on socio-political themes of racial inequity and corruption in the United States.
Ed Bereal’s distinctive visual language combines illustration, pop art, abstraction, holography, and assemblage, and the new exhibition delves into the artist’s foundational practice of mark-making.
“drawing is my problem-solving mechanism ... and a peek inside my personal diary”
Drawing has always been a primary modality and way of thinking for Bereal, exemplified through pictures on view that range from energetic sketches, portraits and collage (1958-64), to politically charged depictions of the present day rendered in graphite. Perhaps most significantly, the works included in the exhibition make visible the artist’s ideas, decision making, discoveries and inner dialogue.
Untitled (Self Portrait) EB-21, 1958-1965
graphite on paper
11 x 9" paper
SOLD
Untitled (Self Portrait) EB-C2, 1958-1965
graphite on paper
11 x 9" paper
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Untitled (figure 3), 1958 - 1965
graphite and paint on paper
11 x 8.5" paper
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Untitled (figure 2), 1958 - 1965
graphite and paint on paper
11 x 8.5" paper
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Bereal began experimenting with a stylistic figuration that synthesized perception and observation during his student years at the Chouinard Art Institute in Los Angeles, CA. The Gallery presents his early journal sketches of bold graphite lines that exaggerate shadows, obscure eyes and faces in self portraits, and hints at an interest in Abstract Expressionism. At that time these new philosophies were introduced by his professor, artist Robert Irwin, and Bereal embraced the blurred distinctions between traditional mediums.
Untitled, 1958-1965
graphite on paper with mixed media
8.5 x 11" paper
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Intimately-sized 1960s collages demonstrate his burgeoning interest in a multimedia approach. Scrawled, smudged, velvety graphite markings, overlapped torn newspaper, painted gestural shapes and distorted symbologies (including swastikas and German crosses) reject straightforward illustration in favor of expressionistic critical discourse.
Amid the racial tensions that followed the Watts Rebellion in 1965, the artist chose to distance himself from the art world for over two decades. During that period he immersed himself in social justice movements, formed the “Bodacious Buggerilla” theater troupe, and traveled internationally to war-torn countries around the globe as a video journalist.
Untitled (early drawing 3), 1958-1965
graphite on paper with mixed media
11 x 9" paper
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Ed Bereal seated in studio photo, 1961–1964, Credit: Jerry McMillan, Courtesy Craig Krull Gallery, Santa Monica, CA
Bereal returned to his studio practice in the 1990s to focus largely on imagery and ideas epitomised in his Miss America series, also on view. The menacing symbology of Bereal’s grimacing, skeletal female figure personifies capitalism, racism, and corporate greed, often appearing alongside cultural and political characters with provocative hand-written text.
The new works in Ed Bereal: Studio Studies - Survey of Drawings 1958 - 2020 communicate the artist’s interest in making injustices visible through an ongoing practice of drawing, and the rhythmic intensity and immediacy of his hand.
Miss America, 1990
graphite on paper
14 x 8.5" paper
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Predatory Capitalism
The 5th (Chrome) Horseman of the Appoc, 2020
graphite on paper
24 x 17.5" paper
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“At 83, Bereal is perhaps the most important activist artist you don’t know. That’s not how he’d describe himself, however. “I’m a landscape painter,” says Bereal. “I’m painting the socio-political landscape.”
In Conversation: Ed Bereal and Bruce Guenther
Artist Ed Bereal speaks with curator Bruce Guenther about the exhibition Studio Studies - Survey of Drawings 1958 - 2020.
EXHIBITIONS, NEWS & MORE INFO
Concurrent to the Elizabeth Leach Gallery presentation, the Portland Art Museum's exhibition APEX: Ed Bereal features objects and installations on view through June 27, 2021.
APEX:
Ed Bereal
Portland Art Museum
Mar 7, 2020 – Jun 27, 2021
WANTED:
Ed Bereal for Disturbing the Peace
Whatcom Museum
September 7, 2019 – January 5, 2020
Ed Bereal Brings Edgy to Bellingham
New York Times
Alex Vlak Cipolle, October 23, 2019